![]() Jaclyn Sanchez – additional engineering.Ian Lavely – engineering assistance, mixing assistance.Rob Geldelian – track engineering, edit engineering.Conor Abbott Brown – choral production, arrangement. ![]() Daniel Lopatin – performance, production.Ben Beaumont-Thomas of The Guardian wrote that "lesser composers try to merely mirror the action on screen and intensify it, boringly magnifying your emotions." He added, "Lopatin is showing how contradictory, confusing and vital our dumb human impulses are." Mina Tavakoli of Pitchfork stated that the score "has a large blast radius in the movie, itself a funny character in an ensemble of unintentionally funny characters." Matthew Clark of Exclaim! wrote: "Not only does this collection of music have a cinematic quality that lends it its soundtrack purpose, it also stands alone as an engaging set of songs and motifs on their own." Track listing Thomas Johnson of The Line of Best Fit called the album "further proof Lopatin will be held in the same esteem as Ennio Morricone, John Carpenter, Vangelis and so on." He stated that the album is "filled with heartfelt synth lines, gorgeous revolving, spacey sequences and emotive samples" in contrast to his narrower score for Good Time. Critical reception Professional ratings Aggregate scoresĪt Metacritic, the album received an average score of 74 out of 100, based on 6 mainstream critical reviews, indicating "generally favorable reviews." 88, while "Windows" is a homage to "Kaneda's theme" from the anime film Akira. The track "Fuck You, Howard" is a reinterpretation of Haydn's Symphony No. Lopatin and Safdie used Moog's synthesizer library and Omnisphere to search for "earthy melancholic sounds that had a cosmic twist," as well as saxophone and a choir. The "cosmically synthesized" score uses a Moog One synthesizer, and draws inspiration from artists such as Isao Tomita, Tangerine Dream and Vangelis, as well as the 1970s-80s new-age duo Emerald Web. Lopatin described it as "more beautiful, ethereal, it's more orchestral, it’s goofier." Safdie described the soundtrack as "a medicinal new-age soul of a film," in contrast to the "pulse" of their previous collaboration Good Time. Background įilm co-director Josh Safdie worked closely with Lopatin on the score, which began with a "Frankenstein" score using library and new-age music before Lopatin began sketching out compositions. It peaked at number 44 on the UK Soundtrack Albums Chart. ![]() It received positive reviews from critics. It was released via Warp on December 13, 2019. Uncut Gems is a soundtrack album by electronic musician Daniel Lopatin, containing the original score for the Safdie brothers' 2019 film Uncut Gems.
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